Showing posts with label Eugene Gramelis. Show all posts
Showing posts with label Eugene Gramelis. Show all posts






‘A little harder, darling,’ Dr Frederick Gottschalk encouraged. ‘One more thrust and I should start to see the cranium.’ He was trying his hardest to remain composed, but he could hardly contain his excitement. ‘Oh, Margaret: our bundle of joy has black curls!’ Like the eye of a voyeur peeping through a key-hole, a tuft of slick fuzz peered at him from inside her.

Like his … father.’ His wife’s voice was soft, far-away, uneasy; her words punctuated by a sharp moan; then a fit of silly laughter; then childlike whimpering. 

The laughing gas he’d borrowed from the clinic was starting to wear off.  He had to be careful: not enough gas and she’d scream the walls down; too much and she’d be totally incapable of feeling the contractions. The former could be quelled with a stern word or two and—if necessary—a firm hand (not that it really mattered: their closest neighbours lived on the far side of the lake). The latter, however, would necessitate a caesarian section—something he desperately wished to avoid. Although a qualified surgeon, Gottschalk’s expertise was in nip ’n’ tucks, not obstetrics; he couldn’t risk botching it up. Plus, their summer home was old, unhygienic, contaminated with creepy-crawlies and festering with household bacteria.

‘Uuuuunggghhh!’ A slow, agonising groan. Somewhere by the lake a loon answered her distress call with a concerned fluting.
‘You’re doing exceptionally well, darling.’ Gottschalk made a slight adjustment to the gas feed, and placing his hands on the inside of her thighs, applied gentle, outward pressure. ‘Open wide; make as much room for junior as you can.’ 

They’d been trying for years: shortly after they were married Margaret had undergone an operation to remove several ovarian tumors, and while the procedure had saved her life, it had left her practically sterile. They tried to adopt, but were promptly turned down because of Margaret’s indiscretion during her adolescence (she had been young and stupid and very drunk, but some things are never swept away by the tide of time – least of all a conviction for dangerous driving).  IVF had also been a colossal waste of time and money. At least Margaret had gotten something positive out of the experience: she’d struck up a friendship of sorts with another patient. Jodi was a gritty, single white female who’d had enough of waiting for Mr Right, and was sick of being kept up all night by the ticking of her maternal clock; Jodi was someone Margaret could relate to, someone with whom she could share and lament the anguish of being childless.

Gottschalk had abandoned all hope of becoming a father. Then nine months ago, he was given the good news: he would finally have his bundle of joy! 

It was Margaret’s idea to have a home-birth; Gottschalk’s to deliver the baby at the lake. He had to take a crash course in obstetrics and neo-natal care of course, but that was the easy part. The hard part was sneaking the equipment out of the clinic without being noticed. Gone were the days of hot water and steamed towels. 
A knife-like scream tore through the stuffy room and she parted, giving the baby up to the swirling dust motes and slats of sepia-toned light. Gottschalk clamped the umbilical cord above the newborn’s naval—just as the midwives had done in the birthing DVD he’d watched a few hundred times—then hacked it off with surgical scissors. Ignoring the quivering placental sack between his feet, he held up his prize—still bloody and glistening wet—in the cradle of both palms. 

Thank God, he thought. No, thank Gott! For in the old tongue Gottschalk’s family name meant Servant of God. But in this day and age, he thought of himself more as a silent partner than a mere attendant. After all, he did heal the sick—or at least re-arranged their faces and enlarged their breasts.  Now, after years of doubt and despair, the Big Guy upstairs had finally recognised his worth with this reward. Nor did Gottschalk fail to notice the  significance of the gift: like God, he had been given a son.
He slapped the infant’s rosy cheeks once on each side, and the echo of a shrieking baby filled the musty corridors of the lake house. This was not in the DVD, but he did it for effect anyway. 

‘Look Margaret.’ Gottschalk swaddled the infant in a pastel-coloured towel and cradled it in the nook of his elbow. ‘Say hello to little Archie.’ Had it been a girl, they’d agreed to name her Isabella, after Gottschalk’s great-grandmother (a pleasant lady by most accounts, who’d served as a nurse during World War I, and had spent her final days eating roaches in a Dusseldorf lunatic asylum). 

Margaret gently took the baby from Gottschalk’s arms and tickled it under the chin. She smiled wanly at her husband. ‘He might have your hair,’ she boasted, ‘but his eyes are blue like mine.’

 ‘Oh stop it, Marge.’ Gottschalk waved a hand dismissively. ‘All babies have blue eyes when they’re born. They’ll change, you’ll see.'

A sorrowful moan drifted up from the double-bed behind them, which trailed off into a delirious giggle. A woman who looked like she could be in her mid-thirties lay spread-eagled on the bed, naked except for the blood-soaked sheets bunched about her waist. Her hands and feet were cuffed to the bedposts and a gas inhaler covered her face. In her drug-induced stupor, she mumbled something incoherent from behind the mask, her words sounding both amplified and muffled: ‘Wheeere aaam I?’

‘There, there, darling,’ Gottschalk soothed. ‘Don’t talk; you’ll only make yourself upset.’ He turned to Margaret and gestured with his thumb at Jodi. ‘What do we do with her?’ 

Margaret peered over at the woman on the bed, a distasteful snarl thinning her collagen-filled lips. ‘Dump her in the lake,’ she said, and resumed making exaggerated faces at Archie.


"Labour Pains"

Copyright: © 2010 Eugene Gramelis

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Eugene Gramelis is a widely-published, award-winning author of suspense and dark fiction. When not writing he practises law as a barrister in Sydney, Australia, where he resides with his beautiful wife and three gorgeous children. He invites you to walk with him at http://gramelis.blogspot.com





Matt Sturgis stole a quick glance; the sudden onslaught of giddiness combined with the glare of the late-afternoon sun almost sent him fluttering over the ledge. The peak-hour traffic beneath resembled a slow-moving column of ants.

It’s all in the mind. He wondered what would run through his head at the moment of impact. Life sucks and then you die.

He put one foot back through the apartment window. But not today.

Then he lost his balance and fell.

His screams were swept away by the air rushing up to meet him.

The last thing to go through Matt’s mind was the pavement.

"It's All In The Mind"
Copyright: © 2010 Eugene Gramelis
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Eugene is a widely-published, award-winning author of suspense and dark fiction. He also practises law as a barrister in Sydney, Australia, where he resides with his beautiful wife and three gorgeous children, and he invites you to walk with him at http://gramelis.blogspot.com

*First published in Flashshots earlier this year






Dean was supposed to meet her at the abandoned abattoir.

“No later than nine,” Elisha had warned. “Or I might change my mind.”

He was careful to delete her number from his call-log. If his wife saw it she might ask questions.

Elisha wanted a ghost tour; he had other things in mind: “Only if you promise to come in that skimpy strapless you wore to the office Christmas party.”

On arrival, he found a blood-soaked gown on the floor.

His wife emerged from the shadows, pointing a .44 at him. She motioned toward a rusty, old meat-packing machine: “You're next."

"Meat Me at Nine"
Copyright: © 2010 Eugene Gramelis
---------------------------------

Eugene Gramelis
is a barrister and dark fiction writer from Sydney, Australia where he lives with his beautiful wife and two gorgeous daughters. His fiction has appeared, or is scheduled to appear, in publications such as
MicroHorror, Crime and Suspense Magazine, Flashes in the Dark, The Daily Tourniquet, Midnight Echo, Afterburn SF and The New Flesh. Please feel free to visit Eugene's official webpage: http://gramelis.blogspot.com/

*"Meat Me at Nine" previously published at Flashshots.





We hear the cracking of their guns long before anyone sees the dusty wake of their trucks.

I have just enough time to snatch my precious Mangeni from her wicker cot and crawl into the shelter beneath the church with the other villagers.

There is deadly silence, lest we be heard by the intruders.

We can hear Reverend Kaikara protesting above us as the rebels defile our place of worship with their presence. There is a gunshot, and we hear the Reverend’s voice no longer. This is followed by distant laughter and the sounds of overturning pews.

They are searching for the hidden hatch to our refuge.

Mangeni begins to cry.

Frantically, I rock her back and forth in my arms, but this only makes her crying worse. Yellow eyes—wide and terrified—plead with me in the darkness; the hot, sour breath of those nearest to me is redolent with fear and thick with panic. Sweat begins to trickle down my nose. Finally an old woman with yellow teeth hisses at me. I put my hand over Mangeni’s mouth and I softly whisper a Ugandan lullaby into her warm ear.

This seems to work.

When the looters have gone, the villagers pour from the shelter with a collective sense of relief. I remain behind, clutching my baby’s lifeless body to my chest.

At last, I can scream.


"Mangeni's Lullaby"
Copyright: © 2010 Eugene Gramelis
---------------------------------

Eugene Gramelis is a barrister and dark fiction writer from Sydney, Australia where he lives with his beautiful wife and two gorgeous daughters. His fiction has appeared, or is scheduled to appear, in publications such as MicroHorror, Crime and Suspense Magazine, Flashes in the Dark, The Daily Tourniquet, Midnight Echo, Afterburn SF and The New Flesh. Please feel free to visit Eugene's official webpage: http://gramelis.blogspot.com/





When I was ten I liked reading by the fireplace until everyone else had gone to bed.

Then I’d switch the lights off and run up the stairs.

I’d climb them fast (two or three at a time), imagining cold clammy hands groping at my back.

Now I’m a hundred and six—or would have been if I hadn’t died twenty-three years ago.

I still like to read by the fireplace. It does nothing to keep my hands warm, but it does wonders for my heart—especially when the new kid flicks the lights off and dashes for the stairs.

"Cold Hands, Warm Heart"
Copyright: © 2010 Eugene Gramelis
---------------------------------

Eugene Gramelis is a barrister and dark fiction writer from Sydney, Australia where he lives with his beautiful wife and two gorgeous daughters. His fiction has appeared, or is scheduled to appear, in publications such as MicroHorror, Crime and Suspense Magazine, Flashes in the Dark, The Daily Tourniquet, Midnight Echo, Afterburn SF and The New Flesh. Please feel free to visit Eugene's official webpage: http://gramelis.blogspot.com





‘Earl, get the door,’ Fran said. She was standing at the sink peeling potatoes, and thinking how unusually dark and hazy it was outside for a Sunday morning in the middle of spring. ‘I thought I heard someone knock.

‘There’s no-one out there,’ Earl replied, looking up from his game of solitaire. Since his retirement from the postal service last July, he seemed to enjoy spending his free time arguing with her about everything, from the right way to fold a tablecloth to the wrong way to fold a hand in a game of cards. ‘I bet it’s just that stupid cat scratching at the flap again. Thing’s blinder than you are. When is that roast going to be ready? I’m starving.’

You just had breakfast.’

‘I’ve spent the last forty-five years of my life—’

‘—serving your country, and now that you’re retired you’re going to damn well enjoy your last few years on this Earth anyway you damn well please. I know, Earl. I know.’

There was a loud thud, and the front door shook.

They looked at each other. Earl’s eyes narrowed.

Abruptly, he pushed his chair away from the kitchen table and stood up. ‘It’s that damned paper boy. You know how many times I’ve hollered at him about throwing the paper at the house? One day it’s in the water fountain, the next on the roof. Mark my words: he’s going to break a window one of these days.’

Earl walked to the front door in long strides, looking a little like Hue Hefner, still dressed as he was in his pajamas and robe. ‘I’ll fix the little vandal.’

‘Leave him alone, Earl. He’s just a kid.’ Fran watched as her husband reached for the door, saddened by the realisation that the gentle, though sometimes excitable, twenty-two-year-old she had married all those years ago had finally made the transformation into a grumpy old man. She turned the leg-of-lamb over and gave it a generous sprinkling of rosemary and thyme. How many of these had she cooked for the old grouch, she wondered. At least he got to retire. What did she get? She got to make the Sunday roast until the end of days.

‘You ever tried reading the sports page when it’s soaking wet or smeared in dog turd?’ he asked. ‘If I want to spend the last few years of my life reading …’

Earl swung the door open and was shocked into silence when it fell off its hinges. Long, charred claw marks ran along the outside of its stained wood paneling. There was no cat, no paper delivery boy, and no neighbourhood. The landscape beyond his porch steps was a writhing chaos of smoke and flame. He saw something skitter from the corner of one eye; something else chirruped menacingly from deep within the inferno.

‘Oh, stop your whining, Earl,’ Fran said over her shoulder. ‘It’s not like it’s the end of the world.’


"The Last Roast"
Copyright: © 2009 Eugene Gramelis
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Eugene Gramelis is a barrister and dark fiction writer from Sydney, Australia where he lives with his beautiful wife and two gorgeous daughters. His fiction has appeared, or is scheduled to appear, in publications such as MicroHorror, Crime and Suspense Magazine, Flashes in the Dark, The Daily Tourniquet, Midnight Echo, Afterburn SF and The New Flesh. Please feel free to visit Eugene's official webpage: http://gramelis.blogspot.com