Showing posts with label Chris Allinotte. Show all posts
Showing posts with label Chris Allinotte. Show all posts









"She's coming," said Keith, training the binoculars on a spray of foam in the distance.

"She'd better be," came a voice from just above the water. "I'm not putting this outfit on again."

"Shut up, Mike," said Keith. "We're only going to get one shot at this." He glanced at his partner in the water, draped with over twenty pounds of seaweed. They'd had to fill airbags and shove them in Mike's wetsuit to keep him afloat. The ruse was perfect though. There was no sign that anyone else was nearby. Keith looked to be perfectly cast adrift, though the heavy weight attached to the underside was keeping his movement to a minimum.

He sharpened the focus on his binoculars, and studied the mermaid coming toward them through the surf. Everything was happening the way the old man at the bar said it would.

*   *   *


"Can't resist a fellow in distress,” the old sailor had said, “It's true!" He cackled and swigged deep from the third drink Keith had purchased for him.

Keith had the sense he was hearing secrets men would have died for not too long ago. Funny though, how age, addiction, and loneliness would drive a man's price down.

Mike and Keith had heard the stories of mermaids rescuing lost sailors before. They'd devoted months to collecting any and all stories about the creatures. What they were after with old Captain Rummleton was a piece of lore that they'd never heard before.

"Tell us, Captain," Mike had said, "about the eyes."

The old man got very quiet then – realizing he'd said too much. One drink later, he gave up, and said, "If a man loves a mermaid, and a mermaid loves a man, her magic will protect him under the sea, and he can swim as if he'd been born a fish."

"And the eyes, Captain?" Mike insisted.

The old man sighed, and Keith felt his first pang of guilt.

"The power's in their eyes, lad," said the old sailor. "Take and hold the eyes, and the result's the same." He was staring at the table now, and wouldn't look up. "Do me a favour, leave me be now. Please."

*   *   *


Keith stowed the binoculars. It ... she, was almost here, and he had to look as helpless as possible. He lay back on the raft.

Waiting was intolerable. If Keith had had more patience, he and Mike wouldn't be on this insane path to quick wealth. What might have been thirty seconds, or thirty minutes later, he heard a disturbance in the water close to his thighs.

"You poor thing." said the mermaid. Her voice was soft and melodious, like the soft lapping of waves on a beach at sundown. The effect this had on Keith was immediate and alarming. His water-soaked pants felt too tight, and he sat up to confront his would-be rescuer. He took one look at the mermaid, and found he was unable to speak. They had expected she'd be beautiful -that had been a constant in the stories - but this was simply unfair.

The mermaid was feminine perfection. She had the body of a sex goddess, with soft womanly curves and high, firm breasts that were just the right size for someone who lived in the water. She pulled herself up on the raft, and sat there, looking at him, completely unselfconsciously. Keith could see the legends had gotten a very important fact wrong – the tail started much lower down. She was woman enough to make his every dream come true.

Her face was the distillation of every innocent girl-next-door that Keith had ever pined for. She wore concern in the shape of her lips and the arch of her eyebrows. Her eyes though, were something entirely different. Where the whites should have been, her eyes were seawater green. The colour shifted and changed in the light, and made her black irises seem to float like tiny islands in a magical tempest. She pulled a long, lustrous lock of wet auburn hair behind her ear and smiled at him.

Keith reached out to her, and she clasped his hand in her own. Her skin was warm.

She opened her mouth to speak. Instead, she screamed. It was a broken, anguished cry, and blood began to run freely from the corner of her mouth. A moment later, the stainless steel point of Mike's harpoon emerged between the mermaid's breasts. It grew and grew, like a whale breaching the waves, dragging freshets of blood behind it. The mermaid tried to draw a breath, found she could not, and collapsed between the two men.

"We got her!" shouted Mike. "I don't believe it, we got her!"

Keith couldn't reply; he'd buried his face in his hands.

Mike hauled himself onto the raft, unsheathed a knife, and claimed their prize.

*   *   *


"So ... did it work?" asked the young sailor.

"Yeah, it worked," said Keith, scratching again at his white-stubbled cheek. He was so tired these days. "The good old Captain left something out of his story, though."

He turned the container on the table around and said, "We went to the bottom of the ocean; found a fortune there too - stuff worth millions. But, when we got back to the surface, everyone on our boat was dead - killed in a freak storm."

Keith turned the jar to look at the contents, and the contents looked back. "We tried a half-dozen times, and it happened each and every time – riches ... storm ... death."

"So why keep it?" asked the younger man.

"A reminder," replied Keith. He wanted a drink. He wanted to go to bed. "I keep the eye in this jar to remind me that I saw a real miracle once ..." he trailed off then, and didn't speak again until the young man had left him in an awkward silence.

Keith looked at the eye, "... saw a miracle," he said again, "and I killed it."


"Treasures of the Deep"

Copyright: © 2010 Chris Allinotte

----------------------------------

When I awoke, I began to weep anew, for the nightmare was real.

Nobody knew where the intruders had come from. Some said an alternate dimension, others said they were aliens. Only a few things were known, and one that was that they had dominated us completely, and without remorse.

We were bound naked by wide steel mesh strips in a kneeling position, two abreast on the conveyor. It moved slowly, but steadily, at the speed of inevitability.

Everyone has asked themselves this question, but I ask it again, why me? Why "US"? I waited tables at a popular downtown patio. My greatest ills were sore feet and tourists who assumed the tip was included. I had ambitions - I was going to write stageplays that would outsell Cats and Phantom combined. Now I'm just trying to think of anything that will set me free.

They creatures were just there one day, and in such great numbers that nobody had time to run, let alone fight. They are tall, with a vivid purple skin that catches light and shimmers like the back of a housefly. They gathered us up into their six strangely muscled arms and away from our lives with no more difficulty than one would pull a puppy from its bed; our screaming little more than yelps and squeaks to them. We were all rendered unconscious then by the cloying scent they give off, like flowers and vomit.

The conveyor takes us around a corner, and I can see the end. A sick yellow light is glowing, and this awful belt runs right through the middle. I strain against my bonds, but I can't slip out from under; the straps follow the shape of my body whichever way I bend. They are not painful - it seems they want us intact and I'm afraid of what that means. My companion to the right is silent. She would be stunningly beautiful in any other circumstance. She has long blonde hair that tumbles over her shoulders, and curtains her breasts from me. I'm glad of that. What should take weeks of flirting, and dating; or perhaps just one intense wonderful night is now laid open in front of me with no mystery, and despair makes me cry again. Her red-rimmed eyes stare only outward and see nothing; she screamed her way into shock hours ago. I want to reach out to her; my final human contact in our last minutes, but she has shut down. I hear the wailing from inside that yellow light, and I envy her.

All too soon, we are closing in on the light, and I know we are going to die. If I was bound at the hands and feet - I would chew myself free. As it is, I just lower my head to the conveyor and start slamming my head down as hard as I can. I don't want to face this awake. The conveyor yields, and refuses to hurt me. The two prisoners ahead of me suddenly fly to their feet, their bonds released. They dash to the sides, trying to flee the awful conveyor, and between them I see the queen. She is the largest by far that I have seen, and between her legs are her roiling, squirming spawn, like purple tapeworms. Two of these fly at the freed captives and enter them. Dozens of flagella rush down the mouths of the victims – others burrow into the skin, and I can see them writhing and digging there, violating the unprotected bodies of these two; my fellow humans. They are trying to scream, but are gagging on the flesh of the aliens. The woman beside me is awake again and screaming. I look away from it all, and see what the others must have seen.

At the very front, the ground drops away beside the conveyor into a deep and rocky chasm.

My restraints pop free.

I hope I am fast enough.

"Conveyor"

Copyright: © 2010 Chris Allinotte

---------------------------------

Chris Allinotte lives and works in Toronto, Ontario. His other writing has appeared on Flashes in the Dark, The Oddville Press, Thrillers, Killers n' Chillers, and MicroHorror. Information on these and other stories can be found on his blog at chrisallinotte.blogspot.com.





“Come closer,” the old man cackled drunkenly. “For that pint of ale, I’ll tell you a story. Something to keep you company, you might say.” He accepted the drink greedily, and began immediately.

“It was fifteen and ninety; after the big plague. Here in the lonely country, it wasn’t so bad; but I was a merchant. Seeing most of your customers die off makes you consider things. I reckoned I’d travel south to Italy, get some sun, and take a few choice items with me.

Back then I could still sell tinder to the devil, and by the time I reached Milan, I had enough to set up shop in the market square.

The best business always came when there was a hanging. They called it “The Executioner’s Fair.” I used to know the Italian for that, but can’t recall it now. People would come from all over to watch the convicts swing. All us merchants did very well. With the fair would come food, musicians and of course, the Punch and Judy show.

This particular show, by “Professore Dante”, was called “The Choir of Pulcinello”. You’ve seen the show before I’ll reckon. Old Punch, or Pulcinello if you like, gets the best of his wife, the law, the devil and the hangman, through trickery and that big stick he carries.

I went to see the show one afternoon, as I had heard everyone talking about it. He did ten shows a day, which also was unheard of, so nearly everyone had seen it. It also meant that Dante was the last to leave every day.

The show was like nothing I’d ever seen. Up to ten puppets at a time came on. Angels sang in choral harmony as they took Pulch’s victims up to heaven. Chaos reigned in court as puppets argued over one another. There was no way this could all come from one man.

My curiosity got the best of me. That night, I waited, concealed, and followed the Professore as he left. He was a stooped, twisted man, and wore a cloak that obscured his features. I watched as he walked towards the flyspecked corpses that had hung that day. He cut them down, put them on his handcart; and continued down an alley. I had no choice but to follow.

It was then that I heard the chewing sounds.

As I made my way down the narrow, yellowed street, I saw the Professore’s discarded cloak and shirt. Dread filled me as I rounded the final turn, and beheld insanity.

The creature was fishbelly white, and where I’d seen a hump was in reality a muscled clump of tentacles, all engaged on ripping chunks of flesh from the dead. I gasped, and he turned, exposing six gaping mouths erupting from his chest, each lined with needle teeth. All were currently being fed chunks of meat by the flailing arms. I noticed his muddy brown eyes boring into me, and the total absence of a mouth on his face.

“YOU SHOULD NOT BE HERE.” A cacophany of voices growled. The effect was dizzying. His appendages stiffened then, and the mouths began to hiss,, “Nottt to seee and live!” His eyes rolled back to the whites, and he took a halting step toward me.

I ran then, as fast as possible back to my lodging, packed what I could carry, and fled for Europe. Hell, it seemed, was truthfully at my heels.

Not three years later came the Great Plague of Milan, and I prayed that the “Professore” met his end. But I fear every day that the Corpse-Eater will come looking for me; wanting to silence the only witness to his secret. Except now you know too.“

The traveler motioned for more ale, and put coin on the table. The old man thanked him, and shortly after slumped into a besotted sleep in his chair by the fire. The silent man went upstairs to his room and began to unpack his puppets.


"The Choir of Pulcinello"
Copyright: © 2009 Chris Allinotte
---------------------------------

Chris Allinotte lives and works in Toronto, Ontario. His other writing has appeared on Flashes in the Dark, The Oddville Press, Thrillers, Killers n' Chillers, and MicroHorror. Information on these and other stories can be found on his blog at chrisallinotte.blogspot.com.

Previously published at Microhorror.com on October 4, 2009