He did not speak for the first hour and thirty minutes. We were alone in the darkness of the cell. Cold water dribbled onto his head from the ceiling of chipped brick and concrete. We had cuffed him to the chair so tightly that his wrists began to bleed. He didn’t complain. The young man’s body was pale and mostly hairless. His legs, his chest, and his forearms had been waxed or shaved. I remember he was balding in a very peculiar way. There was no singular bald spot on the back of his head or any recession of the hairline. Instead the entire top layer was fading out of existence like shredded cotton. With every rivulet falling down his face, I could see his scalp exposed through the follicles. Remnants of smeared lipstick and mascara lingered on his stoic face like a cruel joke. Though we estimated he was between twenty and thirty years of age, any man would have said, after looking at him, that he was already a hollow corpse.



I finally asked him his name. He would not tell me. I told him that if he continued to remain silent we would begin torturing him. I described each of the tactics using as much visceral detail I could without propagating the notion that I relished torture, which, I must adamantly submit to you, was never the case. I could barely stomach torture. The faces of all the men and women I have seen screaming in agony have been indelibly etched into my rotting, infected conscience.


Speaking of torture, however, did not break down the wall that had been so furiously constructed around his nerves.


Thinking of the quiet evening rainstorm outside and a the possibility of going home to a warm cup of tea, I lost my patience and ordered another guard into the room to assist me beating the “stoic faggot” as we called him.


The other guard, whose name I can no longer recall, came through the iron door with a bunched mass of knotted rope in his hands. He swung it into the young man’s stomach a few times. He did not yell or curse at us. The guard punched him few times in the face and screamed in his ear. Then he handed the rope to me and fished a small pocketknife out of his pants. The blade was no longer than an inch and he quickly jabbed it onto the young man’s shoulder. We began to threaten him with blindness. He remained silent.


I asked the guard to remove the knife and go out to get me a hammer. We were alone once again. Blood trickled from his arm to the side of his white torso. His expression did not change.


I lit a cigarette—I smoked in those days—and offered him one. He ignored the offer but he spoke for the first time. “Are we below the city?” he asked.


“What?”


“Are we below the city? Is this cavern built above or below the city?”


I hesitated and exhaled through a gray plume of smoke. “This facility is built both above and below the city.”


“I noticed there are homes near his building. Do people complain about screaming?” he asked.


“I don’t think they can hear anything,” I said.


“I think people hear more than you want them to,” he said.


I cast the cigarette into a puddle and asked him, for the last time, what his real name was.


The young man had entered the German Democratic Republic from the West by train as a woman. He wore a long black sweater, a skirt, and an auburn wig. He had a Swedish ID card with a feminine name: Katharina Vanderborg. He was gifted in linguistics and masking his male voice. He worked as a secretary and interpreter at a tourist bureau that specialized in trips to Cuba and Czechoslovakia. He—or she for that matter—was allowed in the country to live and work after claiming political asylum as a communist. It was good to welcome the stray individuals who actually wanted to live in the DDR. It kept up the hope of the masses that wanted nothing more but to leave that godforsaken wasteland, so monotonous, so void of color. But under the façade that we were happy to allow Miss Vanderborg into Berlin, we kept a vigilant eye on her. We tapped her phone and screened her mail. On a fall evening, we apprehended her in the plaza after discovering, through an English-language telephone conversation, that she was a man. Based on the accent analysis, he was American. It was obvious to us that he was an agent of some sort.


I asked him his name one last time in the damp chamber. He said his legal name was Katharina Vanderborg. I asked him his birth name.


“Kurt McGinnis,” he said.


He did not speak again. He didn’t have to. We could not find an American agent with such a name in our records. We tortured him for three days on the grounds that he had given us a fake name. Eventually we contacted the Americans and attempted to organize a trade off for one of our men. They denied having an operative enter the country under the guise of being a Swedish female. I assumed they were embarrassed, though it was possible that certain agents had gone so underground their retainers lost sight of them. Kurt would not respond to any further questioning.


We were tired of dealing with this anomaly. We dressed him as the woman he had been living as, forged a suicide note that explained his gender, and threw him from the top window of a government building in the dead chill of an October night.


I suppose that’s why you snuck into my house tonight. Trust me I have done worse things in my lifetime. I have done far worse things. I doubt you’ll indulge me in the luxury of knowing whom Kurt or Katharina Vanderborg was. Of course, it doesn’t matter to me. I stopped caring the night I tossed him out that window. Oh, so you brought a gun. Go ahead…


"Katharina"
 
Copyright: © 2011 Connor de Bruler

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Connor de Bruler has been published in Yellow Mama, Dark Anima Journal, Micro Horror, Glossolalia Magazine, PEEP, The Horror Zine, PJM's Southern Gothic Shorts Anthology, Death's Head Grin, and Lit Up Magazine. He grew up in Greenville, South Carolina. He is currently 20 years old.







A deer lifts its head…factories loom over the treetops, spewing gallons of black smoke into the sky…birds fall en masse…corpses line the highways…the deer falls dead, its stomach bloats, pops…a chemical spill of intestines and maggots and blood.

A sudden explosion…all over the world smoke stacks sprout from the soil…they grow and swell like time-lapse mushrooms.

Septic tanks erupt…shit rain…dysentery…A vile black cloud stretching from the Atlantic to the Pacific. A man in military garb stands over a rotten moose carcass.

“This isn’t your father’s pollution,” he says as he runs a steel-toed work boot through a mass of putrescence.

Fish crawl from the black oceans trailing lungs…a new evolution…miasmas of gore…a man squats in the jungle shitting out a miles-long tapeworm…extreme chaos as Nuclear Reactors grow from the dirt, reaching for the sky like concrete tree trunks…chemical gardens filled to the brim with toxic death.

Some of this is unnecessary…we call it “setting the scene”. The viewer is made to feel as if all of this is in some way their fault.

Maggots make short work of our deer…face and personality are eaten away…an elongated skull is revealed to be the final product. A smoke stack belches a toxic plume of purple-grey smoke…a cloud is ripped to shreds…blood rains down…people race from vehicles to fast-food chains holding red soaked newspapers over their heads. “What’s black-and-white-and-red all over?”

Two nuns in a chainsaw fight.

A dirty Jesus character with mud-caked beard slumps under the heaviness of a shovel-load of dirt and debris…slow pan…pull back…the world comes into view…bodies being thrown into mass graves…high-definition bead of sweat rolls down an emaciated cheek…maggots pouring from rotten wounds and ribcages. Now the camera is falling down the mouth of a fathomless cavern…hundreds of broken bodies slumped under shovels.

Dirty Jesus looks off camera. A deer is grazing atop a mountain of garbage.

Fade to black.


"Final Scene Before End Credits"

Copyright: © 2011 Dustin Reade

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Dustin Reade has brown hair and a Ringleader mustache. He has written and sold many stories for several magazines and anthologies. He still believes in Bigfoot.






Cheese-a-saurus Rex came to me in a dream.

“Chuck,” Rex said, “You have been chosen to receive a wonderful gift.”

“An X-Box 360?”

Rex frowned. “No,” he said, “immortality.”

“What good is immortality without video games?” I asked.

Rex twiddled the fingers on the ends of his unusually short arms.

“Didn't anyone ever tell you not to look a gift-a-saurus in the mouth?”

“No,” I said. “But someone did tell me once that a life without video games is like an ocean without fish, a sky without birds, a...”

“Enough of this nonesense!” Rex roared, baring his pointy, cheese-colored teeth. “Do you want this gift or not?”

“I suppose I could buy my own X-Box 360,” I said. “Sure. What do I have to do?”

“Eat one box of Kraft Macaroni and Cheese a day,” Rex explained, “and you'll live forever.”

“I have to eat the whole box myself?”

“Yes.”

“I can't share it with anyone?”

“No,” Rex said, growing angry. “The gift is for you, not the macaroni and cheese-eating public at large!”

“So if I share the mac and cheese, anyone who eats it will live forever, too?”

“No, only you,” Rex said. “The magical power of immortality is within you, not the macaroni and cheese.”

“So why do I have to eat the macaroni and cheese at all?”

In an instant, Rex's face was inches from my own.

“I don't have time to explain every little nuance of how this works to you!” Rex's breath blew the hair back from my forehead as he screamed. The smell of macaroni and cheese filled my nostrils. Cheese sauce spattered my face. “You either accept the gift now, or I'm outta here!”

I gave it a moment's thought. It was clear that Cheese-a-saurus Rex expected a more immediate response, but he waited, wringing his tiny hands.

“Is there anything I'm required to do in exchange for the gift of immortality?”

“One thing, and one thing only,” he said. “Many children mistake me for the dinosaur actor in the movie 'Toy Story'."

“There is somewhat of a resemblance,” I said.

Rex was not amused. “You must actively help me quash the misunderstanding that he and I are one in the same. If another child who says he loved me in 'Toy Story' asks me for my autograph, I may not be able to contain my rage.”

“Have you thought about getting help for your anger issues?”\

The Cheese-a-saurus' eyes narrowed to slits. “Do we have a deal?"

“Yes, we do.”

Rex's face broke into a huge, toothy grin. “Excellent! You'll want to get started first thing tomorrow.”

The next thing I knew, I awoke in my bed. That was a little over five years, two additional “Toy Story” movies and countless boxes of Kraft Macaroni and Cheese ago. Kids still mistake Cheese-a-saurus Rex for the dinosaur in the movies (he hasn't killed any of them yet, as far as I know), and I'm still alive. I weigh 450 pounds now and my doctor says eating so much macaroni and cheese is going to kill me. But I know better.


"Imortality"

Copyright: © 2011 Robert C. Eccles

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I tapped my stomach waiting for a response.



Why?


That’s all I wanted to know. It was a simple question, nothing difficult or complex about it. I wasn’t asking for a solution to a quadratic equation.


Why me?


I looked down at the small, but noticeable bulge in my stomach waiting for a response.


Nothing. Nada.


The baby fucked with me. I knew it. When I slept it would pound and kick the tender walls of my belly, but when I was awake with bloodshot eyes, it slept peacefully.


I had to get rid of it. It would be for the good of humankind.


*   *   *

I asked around for a cheap doctor, someone who could get rid of the thing for a few greasy bills, but it wasn’t that easy. There was paperwork to be signed and tests run.


It was all a waste of time if you asked me.


And to make things worse, I couldn’t afford to have the operation. I was your run-of-the-mill cashier at the grocery store for god’s sake.


I eyed the hanger in my closet a few times and thought about drinking some whiskey to dull the pain, but I wasn’t that desperate.


Someone else had to do it. I didn’t need to dirty my own hands.


So I scoured the internet, the big World Wide Web, for someone nearby. Someone who could cut this thing out of me and not blink an eye.


After a few days and thousands of useless webpages, I found that special somebody, Doctor Valis, and he lived only ten miles away.


I knocked on his door and stared at the chipped paint and grungy welcome mat till he answered.


Doctor Valis waddled in, a whale of a man. His once white lab coat was stretched beyond belief, straining against his gut. His beady black eyes were barely hidden behind some designer glasses. He looked me over from head to toe and nodded.


“Come inside.”


His house was surprisingly neat; however, it stunk of bacon and fried food.


I felt a bit of pain in my stomach and cursed the thing growing inside me.


Doctor Valis led me to a room with a yellow adjustable chair. Wax paper wasn’t enough to cover its ugly color.


“Have a seat, ma'am.”


I sat down and took a deep breath.


“Relax, this won’t be that painful. I promise you you’re in good hands.”


“I’m not worried about the pain. It’s just… I’ve never done this type of thing before.”


“Once I give you some anesthesia, it’ll be over in a snap.”


He snapped his stubby fingers and flashed a smile, revealing his yellow teeth.


I couldn’t help but to shiver.


“Hold on a minute, I’ll be right back.”


I stared at the sterile walls till I saw small dots. I turned my attention to the jars stacked on the shelf. I wasn’t sure how I could’ve missed them. There was something about them. Something that caught my eye.


I got up, looked behind me, and approached the jars. I picked one up and watched the murky yellow liquid swirl around. A small grey ball sat inside. I bought the jar closer to my eyes and gasped a little too loudly for my own comfort.


"Oh my god," I muttered, "an elephant fetus."


I quickly put it back and stepped backwards, bumping into Doctor Valis.


“Oh you noticed my collection. It’s quite the sight isn’t it?”


“The pachyderm is one of my favorite animals. There’s a quiet magnificence about elephants that goes unnoticed by the masses. Wouldn’t you agree?”


I nodded and eyed the doorway. I looked down at my stomach and remembered why I was here. I had to go through with it. I couldn’t let a few baby elephants creep me out.


I sat back down in the chair.


Doctor Valis pulled out a syringe and shot out some liquid.


“Like said before just relax. This will be over before you know it.”


I watched him stick the needle into my arm and felt the liquid course through my thin veins. My eyelids grew heavy like stones. Before I knew it everything turned black.


*   *   *

I woke up and yawned. I stared at the white walls and something felt off. There was something missing.  An absence.


Doctor Valis had his back turned to me. He started humming a Christmas tune. I couldn’t remember which one.


“D-Doctor Valis?”


“Yes.” He turned around, cradling a jar inside his hand. Blood splotches stained his lab coat in sickening swirls.


“What is that?”


“It’s part of you. The part of you you didn’t want.”


I grabbed the jar and stared inside. A fat pale thing sloshed around. Then it opened its eyes.


And I screamed.



"Die, Baby, Die!"

Copyright: © 2011 Grant Wamack

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Grant Wamack writes weird fiction and sails the seven seas. You can reach him here. http://grantwamack.wordpress.com/







Bill Paxton awoke, covered in sweat, and screamed from the horror of his nightmare. His lover, Michael Biehn, shot out of his peaceful slumber, and yelled “Bill!” as he coddled him, “Shush, it was just a dream honey.”

“No, no, NO!” Bill exclaimed. “I can feel it. It was real! I SAW WHAT SHE DID!” He looked up into his lover’s big brown eyes, brimming with tears. “Why don’t you ever believe me?!”

Michael Biehn sighed, and started looking around for his underwear.  He found them on the floor against the wall, remembering that’s where Bill had thrown them last night when he ripped off all of his clothes in a wild fury of passion and lust. The night had been exhausting.  Michael realized he had dried semen all over his chin and felt dirty with regret. He wasn’t gay. Neither of them were gay. Things had happened, bad things, and he and Bill had turned to eachother for support, but found more than that. They had found comfort in each other. They found love. Michael thought he’d forgo the underpants for a shower and some fresh clothing instead. He turned on the TV and went over to Bill and kissed him on the head.

“Come on, let’s get cleaned up and I’ll make you breakfast.” Bill still looked upset, but smiled and said “Pancakes?”

Michael smiled back. “You betcha, buddy!” rubbing Bill’s head like a cute puppy dog. Bill perked up, obviously feeling much better.

When they left the bedroom, a news bulletin about Kathleen Turner massacring a horde of shoppers at a Ralph’s grocery store blared on the television.


"The Lovers"

Copyright: © 2011 Vince Kramer

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I was chopping wood at night, when I saw a faint light through the hazy fog. I trudged through the forest to get to it, wondering who could be out here this late. I stepped through the mud and ruts and weeds and over large rocks and logs and stumps and twisting roots. From a distance it looked like a fuzzy glow - a distorted flicker in the smoky fog. The light looked too big to be just the headlights of a truck that may’ve gotten stuck in the mud while the driver was out fishing or hunting. As I got closer, it looked more like a solid piece of something, like the entire thing was glowing. I parted the leaves and branches of bushes and stepped closer. When I finally got to about forty feet away, it appeared to be some kind of craft, glowing a dull white through the leaves of the woods. As I balanced my way toward it, stepping over downed trees and large rocks, I was not afraid, I was more curious. There’s not much to do way out here, so trying to locate the unexpected light had been a real thrill.

As I drew near to the object, three unusual beings stepped from the darkness. One of them was very tall, and the other two were very short. The tall one was at least six-foot-eight and looked like a plant that was all wrapped up, as if its long, broad leaves were combed upward to protectively cover its head and arms, like a dark olive banana that had been peeled and then reassembled, with the peels overlapping and protecting what was inside. The plant-like thing had three thin little legs and feet like suction cups.

The smaller beings were more like little people - three feet tall, and again with large flaps that seemed to start at their thighs and rise up like broad flower petals or leaves to cover their heads. It was hard to distinguish them from the other plants in the darkness and fog. It seemed as if the little ones were part human, as if a cross between the tall plant guy and a regular person. The small ones stayed in the background and peeked at me shyly through the gaps in their petals.

The big one stepped forward and began speaking to me. But his voice, if you could call it that, was nothing but a series of squawks that quickly wore on me and soon lost my attention. I looked over to what I assumed was their means of transportation - a spaceship-looking craft the size of a van. “This yours?” I raised my voice over the tall one’s muffled squawks and mumbles, “Or did you all lurch out from the swamp?”

The ship was not that impressive as far as spaceships go. Not that, to my knowledge, I’d ever seen a real spaceship before. I just thought that if I ever did see one, well, I guess I assumed it would be shinier and more impressive. This one just looked very bland and utilitarian, not super flashy or cool or even all that sleek. It was kind of egg shaped, like a flattened out oval, or sort of like a slightly deflated football. It wasn’t even a cool, shiny color really, it was more of a tone - a dull gray tone that slowly pulsated a soft white glow somehow.

Finally the tall plant guy’s voice sort of evened out, as if he had been tuning it, as if trying to tune in to me the entire time they shuffled out of the shadows. His squawks quickly evolved into short clips of words. “Spaceship ours,” he bellowed deeply as he stepped to me. The other two small ones stayed in back, in the shadowy darkness.

“Who are your little friends?” I asked suspiciously, clutching my shotgun.

“Your offspring,” he said. “A cross between you and one of ours. But a mistake on our part. We discovered later, when we got them back home, that they did not work out so well at all.”

“Why? What’s wrong with ‘em? Couldn’t breathe your atmosphere or something?” I wondered aloud.

“No. They dumb. Like you. . . Stupid. Lummox. . . Can not learn real good. . . Too slow,” he groaned like a broken trombone.

“Hey, I’m pretty smart,” I squared my shoulders, a little offended.

“For your kind,” he said, “Dumb. Slow. For our kind.”

“So?” I snapped, “You came all this way to tell me I’m stupid?”

“No. To leave them with you. They yours now. You take them,” he groaned like a rusty gate hinge.

“So, you tried to create some worker drones. They didn’t work out. And somehow that’s all my fault? Yeah, that figures,” I sighed and squinted, raising the brim of my hat with the barrel of my shotgun.

“You take. They yours now,” the tall plant-guy repeated, then turned and waddled back to his ship on his spindly little legs. He disappeared into the glow of his ship without opening a door, then rose without a sound and disappeared into the smudge of dark, sludgy clouds. And then he was gone.

I looked over at the other two beings standing off to the side in the darkness. They were looking up, watching their ride leave them here in this cold, dark, swampy, wooded, foggy, foreboding place. I couldn’t help but feel sorry for them because I could tell they knew what was going on, that they were being left behind, abandoned. “Come on,” I called to them, “Let’s get you home. It’s getting cold out here. . . Let’s get you something to eat. You must be hungry,” I turned and waved them over as I started back to my farm. “I’m sure we can find you something to eat. . . But I don’t know what that could be."

Later, I felt badly that things didn’t work out for any of them, despite my growing feelings of being used.


"The Light in the Darkness"

Copyright: © 2011 Tony Rauch

-----------------------------------

Tony Rauch is an architectural and urban designer, and an all around great guy filled with nothing but good things. Good things.

Rauch has three books of funky/jazzy/arty short stories out, "I'm right here," from Spout Press, and "Laredo," and “Eyeballs growing all over me . . again” from Eraserhead Press (some dark and gothic, some kinda sci-fi, some absurdist, some experimental, some fairytale, some fantasy-ish, some dream-like and surreal, some whimsical, some social satire). Both presses have web sites. Eraserhead Press plans to publish additional collections of his short stories in the coming months/years. He also writes screenplays.

For more info, refer to his wordpress page:  http://trauch.wordpress.com/








“So, Andy,” William said. “Why do I have to take my pants off again?”

“Just do it.”

“Okay.”

Andy puffed on his cigarette and stuck his hand between the couch cushions. “Then when you’re done pulling your pants down I want you to do me a favor.”

“You mean this doesn’t count as the favor I owe you?”

Andy laughed. “Are you kidding me? You owe me, like, a thousand favors.”

William stood in front of the couch, naked from the waist down because he had refused to wear underwear since he had banged his kindergarten teacher way back in third grade. He looked at Andy’s face: that pallid mask of regret and lost hope. Then he said, “I kinda thought we were even since I did that other…..thing for you.”

Andy waved his hand. “That was small potatoes, Billy.”

“No one calls me Billy. Not anymore."

Another puff of the cigarette by Andy. “Bend over, Billy.”

Four hours go by and the cigarette hangs in the air like a loser cloud. William watches sweat drip down the bridge of his nose, making him cross-eyed and half-delirious due to his morbid fear of sweat. He cleared his throat. “So Andy,” he said. “You think we can wrap this up?”

"Jesus Christ, Billy, I’ve never met someone so impatient."

“Stop calling me Billy.”

“I’ll stop calling you Billy when you start acting like a man.”

William sighed. “But you know that’s impossible.”

More cigarette smoke. “Nothing is impossible.” Andy leaned his head forward, getting a face full of sweat. “NOTHING.”


"So Andy"

Copyright: © 2011 Jordan Krall

-----------------------------------